What has Sir Alan Ayckbourn wrought? Eight plays, two players, yet Intimate Exchanges is a master class in the emotions and mindset of a certain class of Englishmen
With Gaslight, the Irish Repertory Theatre is presenting an old fashioned melodrama that offers keenly crafted suspense, albeit a bit creaky at the joints.
How does one cope with the loss of a child? In Jenny Schwartz's God's Ear, not very well, I'm afraid.
With Crazy Mary, A.R. Gurney has added yet another chapter in his history of the vanishing WASP class, he knows so well.
What's almost as raunchy and obscene as Jerry Springer's no-holds barred television show. Why, Jerry Springer-The Opera, of course. Now, rousing people at the Bailiwick Theater in Chicago.
Thank goodness there were some stories left to tell. In Spalding Gray: Stories Left to Tell, there's enough going on to add up to a vivid portrait of his background and worldview.
Don't Quit Your Night Job, the comedy-improv show, may not break new ground, but there are moments of sheer madness, in this oft-silly night out at the theater.
Despite its subject matter, oppressed Filipino migrant workers, The Romance of Magno Rubio, is not a grim evening at the theater.
The most memorable things about the off-Broadway solo, Daughter of a Cuban Revolutionary, are Marissa Chibas' hands...
With Radio Golf, August Wilson's majestic cycle of Afro-American life in the 20th Century has come to an end. Unbelievably, he's given us a play for every decade--with memorable characters to match.