Darko Tresnjak’s captivating production of Merchant, fueled by F. Murray Abraham, is a prime example of the myriad ways one can interpret and present Shakespeare.
David Lindsay-Abaire has topped his Pulitzer-winning domestic drama Rabbit Hole, and Daniel Sullivan brings out strong performances from the entire cast.
A Free Man of Color takes a sweeping stab at some big changes as the 18th century moved into the 19th, without mastering the little changes that happened to the people involved.