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Features > London Theatre Archives

ENDGAME

at the Duchess Theatre

BLEAK HOUSE

Endgame is a dark, bitter drama from which it is hard to tear your eyes.

Reviewed by: SAM MARLOWE

TURANDOT

at the London Coliseum

PUCCINI IN WONDERLAND

Turandot makes for a confusing night at the opera, though definitely not a boring one.

Reviewed by: CLIVE HIRSCHHORN

THE POWER OF YES

at the National (Lyttelton)

MORE ICE THAN FIRE

You may learn something about the financial meltdown, but don't expect to be on the edge of your seat.

Reviewed by: ROBERT GORE-LANGTON

INHERIT THE WIND

at The Old Vic

APE AND ESSENCE

Two old geezers going after each other: Kevin Spacey and David Troughton's performances make Inherit the Wind worth the price of admission.

Reviewed by: JOHN NATHAN

SPEAKING IN TONGUES

at the Duke of York's

MISUNDERSTOOD LOVE

Andrew Bovell's purposefully disconnected narrative, though interesting, works better on film.

Reviewed by: JOHN NATHAN

AN INSPECTOR CALLS

at the Novello

A SOCIAL CONTRACT

An Inspector Calls, written in 1944 and set before WWI, still feels timely today.

Reviewed by: NICK CURTIS

BREAKFAST AT TIFFANY'S

at the Haymarket

NOT- SO WILD BIRD

This adaptation of Breakfast at Tiffany's manages to mangle nearly everything that was appealing about the novella.

Reviewed by: RHODA KOENIG

MOTHER COURAGE

at the National Theatre (Olivier)

WHAT PRICE GLORY

In this depiction of Poland during the Thirty Years War, Mother Courage confronts timeless issues but comes up short in moral tension.

Reviewed by: CLAIRE ALLFREE

ENRON

at the Royal Court Jerwood Theatre Downstairs

THE OLD RAZZLE DAZZLE

The powerhouse stage production of Enron blends with solid performances to tell the story of the colossal corporate scandal.

Reviewed by: CLIVE HIRSCHHORN

THE SHAWSHANK REDEMPTION

at Wyndham's

DOIN' HARD TIME

The stage version of The Shawshank Redemption grips the audience but makes no other crowning achievements.

Reviewed by: CLIVE HIRSCHHORN

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SCHEDULE UPDATES -

Yes, Prime Minister contracts its run, while A Chorus Line expands its own.

POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing.

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.