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Adagio Teas
   Features  >  London Theatre Archives
MASS HYSTERIA
PARADE
at the Donmar Warehouse

MASS HYSTERIA

(Please bear with us while we sort out formatting problems that for the moment are causing an excess of italics)

Despite its grim story line, Parade delivers a compelling propulsive staging. Not bad for the directorial debut of Rob Ashford

Reviewed by: Matt Wolf READ MORE
THE SUM OF ALL ITS PARTS
A DISAPPEARING NUMBER
at the Barbican Theatre

THE SUM OF ALL ITS PARTS

( Please bear with us while we sort out formatting problems that for the moment are causing an excess of italics)

In A Disappearing Number, Complicite's Simon McBurney has been able to take the complex subject of higher mathematics and make it into an fascinating time in the theatre

Reviewed by: Clive Hirschhorn READ MORE
HEART OF DARKNESS
EMPEROR JONES
at National Theatre( Olivier)

HEART OF DARKNESS

Eugene O'Neill's early experimental play The Emperor Jones still has the power to move audiences. Paterson Joseph is superb in the title role.

Reviewed by: Clive Hirschhorn READ MORE
THE HEART WILL OUT
LOVE'S LABOUR'S LOST
at Shakespeare's Globe

THE HEART WILL OUT

Let joy be unrestrained: Love's Labour's Lost...is a winner. This delicate souffle is staged exceedingly well by Dominic Dromgoole and his creative team at Shakespeare's Globe.

Reviewed by: Michael Leech READ MORE
GREAT STAYING POWER
JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT
at the Adelphi

GREAT STAYING POWER

For a show that started out as a 15-minute lark nearly 40 years ago, Joseph and the Amazing Technicolor Dreamcoat has certainly shown great staying power-and a greatly enhanced length too

Reviewed by: Michael Leech READ MORE
THE FOREST FROM THE TREES
THE HOTHOUSE
at the National(Lyttelton)

THE FOREST FROM THE TREES

Early Pinter, The Hothouse , which takes place in a government mental institution, is probably his funniest and most accessible play.

Reviewed by: CLIVE HIRSCHHORN READ MORE
NOT MUCH TO CHEER ABOUT
IN CELEBRATION
at the Duke Of York's

NOT MUCH TO CHEER ABOUT

Eagerly awaited, In Celebration is rather flat like warm beer. And as for Orlando Bloom, silence is not golden

Reviewed by: Patrick Marmion READ MORE
MERCY, MERCY, MERCY
THE MERCHANT OF VENICE
at Shakespeare's Globe

MERCY, MERCY, MERCY

Can there be a better place to do The Merchant of Venice, than Shakespeare's Globe? Up close and personal to all the players, the play's dynamics are on full view

Reviewed by: Michael Leech READ MORE
GIVING IT A SHOT
ELLING
at the Trafalgar Studios

GIVING IT A SHOT

Elling sets out to convince us of the cuddily inate genius of the mad. No chance, but there is a certain sweetness to its pitch

Reviewed by: Patrick Marmion READ MORE
FORM REVERSAL
BETRAYAL
at the Donmar Warehouse

FORM REVERSAL

Betrayal could be the feeling when audiences know how a show ends when it starts. But, it's merely a revival of Harold Pinter's wonderful backwards play

Reviewed by: Michael Leech READ MORE
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SCHEDULE UPDATES -
Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.


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