Molly Smith Metzler’s vacuous comedy-drama misses nearly every target.

The Man Who Came to Dinner remains the most masterfully chaotic ensemble comedies, even if it doesn't get quite the serving it deserves here.

Having moved out of the basement gym where the Off-Broadway production was staged, this poppy musical has lost some of its charm.

Director Michael Mayer has radically reconceived this 1965 musical so that it's now even odder.

Gory as it is, Shakespeare’s thriller should be produced more often.

All the sense and self-control in their bodies can't keep two firebrands from their bipolar magnetization.

This could have been such an entertaining, action-packed musical. Unfortunately, the talents of Laura Osnes and Jeremy Jordan go largely wasted.

Unlikeable characters spit vitriol at each other at a rapid pace, blasting through what could have been a better play.

Charlotte Moore has gathered together an ensemble that seems more like a real family rather than one created for the stage.