What started as a trim musical love story on screen has been expanded both in emotion and story for the stage.

Mike Nichols’ impeccably staged revival makes Arthur Miller’s masterpiece feel like it is being discovered for the first time.

Despite two strong performances, Carl Forsman’s production of Tina Howe’s 1984 script never quite catches fire theatrically.

Stephen Spinella and Denis O’Hare alternate nights at the helm of this mesmerizing one-man riff on Homer’s 15,000-line epic poem.

Edward Albee’s sinister, surreal and altogether puzzling 1980 play The Lady from Dubuque gets an unexpected revival.

A quarter-century after the historic flop of the original production, the second attempt strips the play of its chaos as well as its intensity.

William Shatner’s new one-man show makes for a fun evening of personal reminiscing, video clips and one of his strange musical performances.

While the plot of the musical moves backwards in time, the success of Merrily We Roll Along has gotten only better as time moves forward.

The characters in Erika Sheffer’s are painted with gripping realism and more than one threatening streak. 

Elizabeth Reaser and Norbert Leo Butz/ Ph: Joan Marcus