Road Show is by no means top drawer Sondheim. But, it's still Sondheim-and attention must be paid to this work by the most important figure in American musical theater over the past half century.

Billy Elliot: The Musical has finally crossed the pond. And the wait was definitely worthwhile. This is dynamic musical theater at its very best.

You don't have to be a political junky to enjoy this behind-the-scenes look at a fictional campaign for the White House.

Expect telenovella-style reversals and revelations from this imported potboiler

Absurd comedy and melancholy are center stage in What's That Smell: The Music of Jacob Sterling.

Romantic Poetry has very little romance and absolutely no poetry...At best, there are only small pleasures to be found in this piece.

Boy's Life had something fresh to say its first time around (1988)...now, it doesn't inspire or surprise. The subject matter's been covered all too often in the intervening years.

This revival of David Mamet's take on the wicked ways of Hollywood has keen performances by Piven, Esparza and Moss.

Two brilliant performers wrest comic delight from a way-off-Broadway debacle...

To Be Or Not To Be ought to balance on the knife's edge where hysteria and hilarity meet. Only the knife is dull and the laughter is forced.