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Features > New York Theater Archives
WHO’S AFRAID OF VIRGINIA WOOLF?
at the Booth
LASTING TENSION
Over the years,
Edward Albee’s
iconic play has lost little of its dramatic power or harsh comedy.
Reviewed by:
BERNARD CARRAGHER
WHO’S AFRAID OF VIRGINIA WOOLF?
at the Booth
TATTERED VOWS
The years have stolen none of the merits from
Edward Albee’s
dyadic drama.
Reviewed by:
JESSICA BRANCH
VANYA AND SONIA AND MASHA AND SPIKE
at Lincoln Center Theater
MASTER OF SATIRE
Christopher Durang’s
freewheeling new comedy takes some Chekhov themes for a spin.
Reviewed by:
MATT WINDMAN
THE GOOD MOTHER
at the New Group
LARISSA'S COMPLAINT
Gretchen Mol
shines a bit too brightly in a character study that takes its time coalescing.
Reviewed by:
SANDY MACDONALD
IVANOV
at Classic Stage Company
SELF-LACERATION
Ethan Hawke
puts in a smashing performance in the title role of what has been called
Chekhov's
Hamlet
.
Reviewed by:
BERNARD CARRAGHER
THE HEIRESS
at Walter Kerr Theatre
DRAWING-ROOM FARCE
Henry James
would be aghast at the damage done to his delicate family drama.
Reviewed by:
SANDY MACDONALD
ANNIE
at the Palace
SOUR NOTES
James Lapine's
revival is lukewarm, uninspired and generally disappointing.
Reviewed by:
MATT WINDMAN
ANNIE
at the Palace
RAGS TO RICHES
James Lapine’s
brisk, uncluttered directing isn't without its drawbacks.
Reviewed by:
JOANNE KAUFMAN
THE HEIRESS
at Walter Kerr Theatre
HIDDEN MOTIVES
The period-piece costume drama gets yet another revival, well acted all around.
Reviewed by:
MATT WINDMAN
5 LESBIANS EATING A QUICHE
at Soho Playhouse
CAMPY AND OVERDONE
A 10-minute bit is stretched into a much longer format.
Reviewed by:
SANDY MACDONALD
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Next
SCHEDULE UPDATES
-
Yes, Prime Minister
contracts its run, while
A Chorus Line
expands its own.
POWERHOUSE OF THEATRE
- After 11 years as the Almeida Theatre's artistic director,
Michael Attenborough
is stepping down to focus on directing.
SONGS FROM THE HEART
-
Once
the Tony-Award winning musical is set to hit London in January.
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