Michael Grandage's Hamlet gives us a splendid Jude Law in the title role. It also gives us a play that at times seems freshly written.

A brilliant revival of Arcadia confirms once more the sterling qualities of the Stoppard masterwork.

Director Marianne Elliott has adopted a Gothic aesthetic for the National's first crack at All's Well That Ends Well. It provides style and substance in near perfect harmony.

Who would have thought A Dolls House would have caught the mood of the current times so completely. 

Peter Flannery has turned this Oscar-winning film into a superb play- a Chekhovian thriller, if you will.

It's hard to imagine a swanker staging of the Beckett classic-or a more stellar cast. It adds up to an exceptionally entertaining production.

Director Rupert Goold has a serious go at this revival of Priestley's Time and the Conways. Let's just say, he's better than the play.

The promise of the future extrapolated from the present gets a working over in this  excellent  revival  of  J.B. Priestley's Time and the Conways

This production of Madame de Sade, is quite frankly, all talk and no action. Even a cast including Judi Dench, Frances Barber and Rosamund Pike can't save it.

This is an As You Like It which reflects the modern view that it's  a companion piece to the later King Lear.