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Features > London Theatre Archives
LA CAGE AUX FOLLES
at the Playhouse
A CULT CLASSIC
As often happens with a cult production, you feel like you're not just watching a performance, but are part of an experience.
Reviewed by:
EDWIN WILSON
THE HABIT OF ART
at the National (Lyttelton)
A MASTERLY TOUCH
Alan Bennett
, at age 75, is still delivering the goods just as well as ever.
Reviewed by:
CLIVE HIRSCHHORN
OUR CLASS
at the National Theatre (Cottesloe)
TELLING A TERRIBLE TALE
It takes a masterful hand to pull the audience in to history, engage them, and present the emotional truths of more than one side without judgment.
Reviewed by:
JOHN NATHAN
OUR CLASS
at the National (Cottesloe)
LIES AND OTHER CRIMES AGAINST HUMANITY
Our Class
, in its gripping and grueling retelling of history, reminds us that the dead are always around to haunt the living.
Reviewed by:
MATT WOLF
ANNIE GET YOUR GUN
at the Young Vic
LESS THAN A PERFECT TEN
Richard Jones'
production takes some risks in bringing this
Annie Get Your Gun
to the stage, not all of them successful.
Reviewed by:
CLAIRE ALLFREE
LIFE IS A DREAM
at the Donmar Warehouse
MASQUERADES AND MAYHEM
The plot may puzzle you, but this is a superbly acted piece of fantasy theatre from Spain's Golden Age.
Reviewed by:
ALLEN ROBERTSON
TWELFTH NIGHT
at Courtyard Theatre, Stratford-upon-Avon
JUST MISSING THE MARK
Twelfth Night
comes with high expectations, and unfortunately in this production, both the amusement and sadness fall short of their potential.
Reviewed by:
JOHN NATHAN
ENDGAME
at the Duchess
GRIM IN A VARIETY OF WAYS
Despite the play's utter nihilism,
Endgame
manages to weave a rich, hypnotic spell for its audience.
Reviewed by:
CLIVE HIRSCHHORN
THE SPANISH TRAGEDY
at the Arcola Theatre
BLOODY HELL
Although the staging could use some work, this Elizabethan shocker satisfies with its unique combination of morbidity and historical values.
Reviewed by:
RHODA KOENIG
THE RISE AND FALL OF LITTLE VOICE
at the Vaudeville
SOMETHING IN THE WAY SHE SINGS
This ebullient, full-blooded revival is an affirmation of a play that goes beyond operating as an excuse for ventriloquial mimicry.
Reviewed by:
MICHAEL COVENEY
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SCHEDULE UPDATES
-
Yes, Prime Minister
contracts its run, while
A Chorus Line
expands its own.
POWERHOUSE OF THEATRE
- After 11 years as the Almeida Theatre's artistic director,
Michael Attenborough
is stepping down to focus on directing.
SONGS FROM THE HEART
-
Once
the Tony-Award winning musical is set to hit London in January.
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