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Features > London Theatre Archives
THE SPANISH TRAGEDY
at the Arcola Theatre
BLOODY HELL
Although the staging could use some work, this Elizabethan shocker satisfies with its unique combination of morbidity and historical values.
Reviewed by:
RHODA KOENIG
THE RISE AND FALL OF LITTLE VOICE
at the Vaudeville
SOMETHING IN THE WAY SHE SINGS
This ebullient, full-blooded revival is an affirmation of a play that goes beyond operating as an excuse for ventriloquial mimicry.
Reviewed by:
MICHAEL COVENEY
COMEDIANS
at the Lyric Hammersmith
IT'S A MAD, MAD, MAD WORLD
Comedians
may be showing its age around the edges, but this wonderfully acted production will certainly make you laugh, and also might make you think.
Reviewed by:
CLAIRE ALLFREE
ENDGAME
at the Duchess Theatre
BLEAK HOUSE
Endgame
is a dark, bitter drama from which it is hard to tear your eyes.
Reviewed by:
SAM MARLOWE
TURANDOT
at the London Coliseum
PUCCINI IN WONDERLAND
Turandot
makes for a confusing night at the opera, though definitely not a boring one.
Reviewed by:
CLIVE HIRSCHHORN
THE POWER OF YES
at the National (Lyttelton)
MORE ICE THAN FIRE
You may learn something about the financial meltdown, but don't expect to be on the edge of your seat.
Reviewed by:
ROBERT GORE-LANGTON
INHERIT THE WIND
at The Old Vic
APE AND ESSENCE
Two old geezers going after each other:
Kevin Spacey
and
David Troughton's
performances make
Inherit the Wind worth
the price of admission.
Reviewed by:
JOHN NATHAN
SPEAKING IN TONGUES
at the Duke of York's
MISUNDERSTOOD LOVE
Andrew Bovell's
purposefully disconnected narrative, though interesting, works better on film.
Reviewed by:
JOHN NATHAN
AN INSPECTOR CALLS
at the Novello
A SOCIAL CONTRACT
An Inspector Calls
, written in 1944 and set before WWI, still feels timely today.
Reviewed by:
NICK CURTIS
BREAKFAST AT TIFFANY'S
at the Haymarket
NOT- SO WILD BIRD
This adaptation of
Breakfast at Tiffany's
manages to mangle nearly everything that was appealing about the novella.
Reviewed by:
RHODA KOENIG
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SCHEDULE UPDATES
-
Yes, Prime Minister
contracts its run, while
A Chorus Line
expands its own.
POWERHOUSE OF THEATRE
- After 11 years as the Almeida Theatre's artistic director,
Michael Attenborough
is stepping down to focus on directing.
SONGS FROM THE HEART
-
Once
the Tony-Award winning musical is set to hit London in January.
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