The Globe manages to capture the gritty essence of Shakespeare's original attention and present it on a modern stage.
In what is not Andrew Lloyd Webber's best musical, the louder the emotions get on stage, the less they hit their mark in the audience.
With help from Jeff Goldblum,one of Neil Simon's lesser-known plays is given its day in the sun in the West End.
Mark Rylance propels the play single-handedly, not stealing the thunder but rather creating it.
While drawing on a classic period in Greek history, Thebes goes a bit far in drawing parallels to modern conflicts.
A transatlantic lineup for two Shakespeare classics doesn't provide the magic one might expect.
Who's to say you have to be a star, or even on Broadway, to be a Broadway star?
Roy Williams takes us inside the racism of Thatcher's Britain in this thrilling, gritty boxing tale.
Despite a strong performance by Linda Bassett, the characters' demons do not jump out and grab us as they should.
The story of King Arthur doesn't work as well on the stage as it did on the page.