In an age of predictably over-hyped musicals, Pedro Almodóvar’s 1987 post-Franco Madrid movie jumps to the stage with an unexpected bounce.
This giddily perfect, sadly-short-term revival of a classic musical comedy deserves a good long run.
A fantastic cast backs up Al Pacino, who makes every moment as new and striking as any other.
The madcap television show gets revived on Broadway with everything the old fans came to see.
The entire cast of the London production has come to Broadway to deliver Lee Hall's unofficial follow-up to Billy Elliot.
Vince Lombardi's life may have been a story worth telling, but in this setting it makes little sense.
BAM’s Next Wave Festival offers a rare chance to see a Stew/Rodewald project in process.
Shaw’s trophy bawd is mis-served by a lackluster, off-kilter production.
“Scherzando” describes the mood of Sarah Ruhl’s adaptation of Virginia Woolf.
Those who saw Trevor Nunn's first round of production, with a different cast, might find this second go-round a bit lacking in chemistry.
