King Henry comes to the Globe, and this time resists literally setting the roof on fire.
Macbeth gets taken a step further into the darkness, reveling in all its stark, raving, apocalyptic poetry.
The Theatre Royal Market proves again that impressive productions can come from outside the West End.
Drew Pautz's Love the Sinner takes on a lot of issues and a lot of characters – in the end, too many to make a statement.
On the heels of a memorable performance a few years back, this Stratford production is all thumbs.
This production proves that London can sing and dance just as well as they do it on the other side of the pond.
Patrick Stewart plays the author whose work he has acted out so many times.
Horizon marked a milestone not only in Eugene O'Neill's body of work, but in theater's history as a whole.
Even with the violent material in a 17th century setting, the formula here feels stale, like it's been done recently more than once.
Old-world tradition clashes with the 21st century, and upper-class pomposity comes nowhere near to clashing with the realities of the common man.