A modern staging of the classic novel brings the story’s essence to life, horrifying us with its implications of human nature all over again.

Despite some casting and directing hiccups, Bernard Shaw’s text still shines through for middle England.

Set among the debauchery of Las Vegas, Rupert Goold's production takes high-stakes risks with the play’s conventions.

A century after Chekhov passed, we are still caught up in the ways that he saw his world.

If you can live without the wonderfully atmospheric opening, this is a taut, exciting Macbeth with lashings of blood, bold stage effects and a true sense of atrocity.

Although this production seems to have deliberately de-sentimentalized this great text, the Chekhov classic nevertheless thrives on a cluster of beautifully observed performances.

This utterly enjoyable revival by John Dove at the Globe sparkles with suppleness of thought, cleverness of plotting and beauty of expression.

Betty Blue Eyes turns the clock back 64 years for its period setting and about 45 years in its approach to musical comedy.

Characters do a lot of smiling in this revival, possible because they’re happy, possibly because they’re covering up that they’re not.

With language shifting between painfully moving and painfully funny, Sheibani’s production promises that this play will continue to be revived.