Clifford Odets’ play Golden Boy is being given a first-class, much-deserved revival by Lincoln Center Theater.

August Wilson’s family drama has lost none of its resonance, and likely never will.

Giant has a vast and complicated structure, but also a wonderful score by Michael John LaChiusa.

David Mamet's painfully didactic The Anarchist makes theatergoers wonder what happened to the ink in his pen since his better plays.

The cast and director have done what they can, but there isn't much to work with in Theresa Rebeck's script.

Eve Ensler's new work of feminism is limited in effect by its predictability and movie-of-the-week format.

Theresa Rebeck’s whimsical new comedy has some charming moments in it, though they fail to add up to much.

Checkers is a respectable play but weak in comparison to Frost/Nixon.

The central father-daughter relationship remains as compelling today as it did in 1947.

Over the years, Edward Albee’s iconic play has lost little of its dramatic power or harsh comedy.