This silly, fast-paced musical comedy may finally get its chance to shine.

The latest provocation from Thomas Bradshaw urges us squares to give up our hang-ups and accept the unacceptable.

Joe Orton's plays have been rarely performed in New York, partly because of the difficulty in finding the distinct rhythm and flavor of his writing.

Superb performances bring John Patrick Shanley’s delicious use of language to life.

Jessie Mueller softly wins us over in this pedestrian bio-musical about Carole King.

Frank Langella takes command of the production with a towering presence.

It's hard to believe that these two plays haven't been presented in repertory in New York before.

John Patrick Shanley’s new play allows you to take a trip to the Irish countryside without leaving Manhattan.

Frank Langella shines in this British import.

An excess of new dialogue and sub-par singing make these four hours really drag.