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Adagio Teas
   Features  >  London Theatre Archives
PRISON OF THE MAD
BEDLAM
at Shakespeare’s Globe

PRISON OF THE MAD

Although a number of spicy elements are thrown into the pot, the resulting theatrical stew could have used a couple adjustments from the chefs.

Reviewed by: SAM MARLOWE READ MORE
EBONY AND IVORY: AN UNEASY TRUCE
CLYBOURNE PARK
at Jerwood Theatre, Royal Court

EBONY AND IVORY: AN UNEASY TRUCE

A Chicago suburb shows black uncomfortable surrounded by white, and white uncomfortable surrounded by black, with humor and truth cutting away.

Reviewed by: SAM MARLOWE READ MORE
LOVE TRIANGLE
DESIGN FOR LIVING
at the Old Vic

LOVE TRIANGLE

Its content may not be shocking to society anymore, but Noël Coward's comedy is put together well enough to work on any era.

Reviewed by: JOHN NATHAN READ MORE
THE NO-WIN WARZONE
BLOOD AND GIFTS
at the National (Lyttelton)

THE NO-WIN WARZONE

The subject of Afghanistan gets taken on with impressive scope and breadth.

Reviewed by: CLIVE HIRSCHHORN READ MORE
BRINGING BACK THE STAGE THRILLER?
DEATHTRAP
at the Noël Coward

BRINGING BACK THE STAGE THRILLER?

Matthew Warchus gives the stage an old-fashioned injection of thrill, while trying to avoid the clichés.

Reviewed by: JOHN NATHAN READ MORE
SUM OF ITS PARTS
TINY KUSHNER
at the Tricycle

SUM OF ITS PARTS

Tony Kushner brings his characteristic profundity, although delivering it in bite-size pieces.

Reviewed by: JOHN NATHAN READ MORE
TABLES TURNED
CLYBOURNE PARK
at Jerwood Theatre, Royal Court

TABLES TURNED

A jump from 1959 to 2009 sees a white neighborhood turn to a black one, reversing the roles.

Reviewed by: CLIVE HIRSCHHORN READ MORE
LIARS, LOVERS AND CLOWNS
THE MERRY WIVES OF WINDSOR
at Shakespeare’s Globe

LIARS, LOVERS AND CLOWNS

Luscombe brings the Globe a dose of slapstick, plain and simple.

Reviewed by: JOHN NATHAN READ MORE
HEAD IN HAND
ANNE BOLEYN
at Shakespeare’s Globe

HEAD IN HAND

Both touching and irreverent, this look at Henry VIII's era takes a much different path than Shakespeare's.

Reviewed by: ROBERT GORE-LANGTON READ MORE
BETTER THAN ADVERTISED
LOVE NEVER DIES(ANOTHER LOOK)
at the Adelphi

BETTER THAN ADVERTISED

Critics on both sides of the pond have been less than generous with the Phantom sequel, but in reality, Love Never Dies is quite good.

 

Reviewed by: ROBERT GORE-LANGTON READ MORE
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SCHEDULE UPDATES -
Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.


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