Geoffrey Rush predictably dazzles, even if the vehicle he rides in on could use a tune-up.
Nixon in China is an opera for the modern age, rich with layers of classic beauty and brimming with a lushness that feels totally new.
Scott Siegel’s delightful Broadway by the Year series gives the people what they want – mainly, a lot of good songs.
CSC puts together a stunning period piece that will pull you in.
The Abbey Theatre, abetted by an all-star cast, hauls out an Ibsen chestnut.
For opera fans, you need only one reason to see this production of Fanciulla: Deborah Voigt.
A Free Man of Color takes a sweeping stab at some big changes as the 18th century moved into the 19th, without mastering the little changes that happened to the people involved.
Edna O’Brien takes on the eternal triangle with sly, insidious wit.
An undisguised tribute to French playwright Moliere, La Bete grabs on to Le Mis' coattails.
In an age of predictably over-hyped musicals, Pedro Almodóvar’s 1987 post-Franco Madrid movie jumps to the stage with an unexpected bounce.
