In his first year as artistic director, Anthoni Cimolino has produced a vibrant and eclectic festival.

This self-indulgent bio musical about Shlomo Carlebach suffers from haphazard storytelling and superficial sentimentality.

An impressive number of new cast albums have been released over the past year – some worth singing about.

Purists may sniff, but this updated musical adaptation makes all the right moves.

Boy meets girl in the awkward blind-date setting, with guests in the restaurant cheering them on.

Noel Coward's rarely produced comedy does better today than it did in 1925.

This is a dreary, downright incomprehensible play that lacks the drama of Tennessee Williams’ earlier works.

Steven Levenson’s sober-minded drama explores the personal consequences of white-collar corruption.

A deft conceptual overhaul further lightens the Bard’s liveliest bagatelle.