David Eldridge is ruthless in his depiction of a grief-stricken, feud-riven working-class Essex family.

Although this production takes a while to pick up steam, Josie Rourke's first effort as artistic director is a good one.

If Jeremy Herrin’s pitch-perfect production is agony to watch, it is agony for all the right reasons.

Tyne Daly takes on legendary opera diva Maria Callas in Terrence McNally's 1996 Tony winner.

Stuffed with good humour and seasoned with tart observation, this is a triumphant comedy.

Between the design and direction, a great deal of The Changeling's vitality has been squeezed out of it.

Director Jamie Lloyd stoops to a lowbrow delivery of this 18th-century comedy of errors.

Behind the sensationalism of Philip Ridley’s 1991 play is a story of two siblings' tenderness and vulnerability.

The Propeller company takes on two Shakespeare plays – without any female actors.

An 18th-century story of farcical misadventure suffers mishandling by its director.