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Adagio Teas
   Features  >  London Theatre Archives
FORMATIVE YEARS
SOUTH DOWNS/THE BROWNING VERSION
at the Harold Pinter

FORMATIVE YEARS

David Hare's South Downs works exceptionally well as a companion piece to Terence Rattigan's masterpiece The Browning Version.

Reviewed by: CLIVE HIRSCHHORN READ MORE
THROUGH THE LOOKING GLASS
BIG AND SMALL
at the Barbican

THROUGH THE LOOKING GLASS

Cate Blanchett takes center stage in an intriguing drama that blurs the line between its heroine's imagination and her experience.

Reviewed by: JOHN NATHAN READ MORE
LOSING HIS MARBLES
MISTERMAN
at the National (Lyttelton)

LOSING HIS MARBLES

Cillian Murphy leaves it all on the stage in this one-man show.

Reviewed by: CLIVE HIRSCHHORN READ MORE
NOT IN THE GIVING VEIN
RICHARD III
at Swan Theatre, Stratford-upon-Avon

NOT IN THE GIVING VEIN

Roxana Silbert delivers an efficient, fast-moving production, with Jonjo O’Neill leading the cast.

 

Reviewed by: MICHAEL COVENEY READ MORE
TENSION IS THE DRUG
LONG DAY’S JOURNEY INTO NIGHT
at Apollo Theatre

TENSION IS THE DRUG

Anthony Page’s production expertly treads the uneven emotional terrain of family members who love and hurt each other in equal doses.

Reviewed by: CLAIRE ALLFREE READ MORE
MY DARK REGAL FANTASY
THE DUCHESS OF MALFI
at the Old Vic

MY DARK REGAL FANTASY

The treachery in John Webster’s grisly revenge tragedy has a sinister and sexual allure.

Reviewed by: SAM MARLOWE READ MORE
PARLOUR GAMES
HAY FEVER
at the Noel Coward

PARLOUR GAMES

Lindsay Duncan leads a cast of actors who know how to deliver a rapid and rhythmic comic punch.

Reviewed by: DAVID BENEDICT READ MORE
NOT-EXACTLY-VIRGIN OLIVE OIL
FILUMENA
at the Almeida

NOT-EXACTLY-VIRGIN OLIVE OIL

Despite a lack of realism in setting the Italian scene, the shifts between drama and comedy are seamless.

Reviewed by: JOHN NATHAN READ MORE
SOARING OVER MOSCOW
THE MASTER AND MARGARITA
at the Barbican

SOARING OVER MOSCOW

This Complicite production turns a challenging Mikhail Bulgakov novel into a spectacle of cutting-edge special effects.

Reviewed by: JOHN NATHAN READ MORE
IT DOESN'T TASTE LIKE CHICKEN
SWEENEY TODD
at the Adelphi

IT DOESN'T TASTE LIKE CHICKEN

Michael Ball rewrites his personal acting history with his transformative performance of Sweeney in this top-notch production.

Reviewed by: ALLEN ROBERTSON READ MORE
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SCHEDULE UPDATES -
Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.


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