The only thing more brutal than the characters' actions in this play is how this obscure tale has been handled.

Brandon Thomas' farce gets dusted off and given the royal treatment – perhaps more than it deserves.

We've seen better plays from this playwright, and better productions from this director.

An intimate production gives the audience an up-close and personal look into Jonathan Pryce's Lear and all his flaws.

Caryl Churchill’s new play moves in an exhilarating rush, almost faster than your synapses can fire.

Director Neil Armfield delivers a delicate, compassionate revival of David Hare’s 1998 drama about Oscar Wilde.

Benedict Andrews puts a modern spin on Anton Chekhov's classic.

Brian Friel's new version of Henrik Ibsen's perfectly plotted tragedy may have, dare we say, improved upon it.

The Rodger and Hammerstein musical tosses out the notion that it doesn't much matter if men hit their women as long as it's done with love.

As back-catalogue tribute shows go, Soul Sister does well by Tina Turner and her music.