Lisa D’Amour’s Detroit builds up an image of a contemporary society in economic doldrums and almost hysterically worried about underlying personal failings.

This production – with an all-black cast – draws parallels between different points in history.

Adam Spreadbury-Maher's production makes a strong case that Arnold Wesker's Denial should have received more attention in the last 15 years.

This Olympic story of hope, and ambition against the odds, is given a triumphant production by Edward Hall.

For as long as we all remain in thrall to pretension and consumerism, Mike Leigh’s 1977 work will remain relevant and hilarious.

E.L. Doctorow's  bestselling novel suffers a number of missteps in its transfer to the stage.

Errol John's period-specific story set in post-war Trinidad rings true across oceans and decades.

Laura Wade has updated her comically biting satire to match today's political landscape and upper classes.

The snap of dialogue and smack of authenticity are missing from Neil Simon's wisecracking work.

Edward Bond's dystopian future impresses much darkness upon the mind, without the suggestion of even a sliver of light.