Richard Nelson's superbly written period piece is handled beautifully by director and cast alike.

The Phantom recording presents lavish, fully staged versions of the two operas as performed at the Royal Albert Hall in early October.

Edward Bond's 1973 play shows Shakespeare struggling with worldly affairs in an attempt to add some man to the myth.

It takes no small ounce of courage to put on John Adams' controversial political opera The Death of Klinghoffer.

David Eldridge is ruthless in his depiction of a grief-stricken, feud-riven working-class Essex family.

Although this production takes a while to pick up steam, Josie Rourke's first effort as artistic director is a good one.

If Jeremy Herrin’s pitch-perfect production is agony to watch, it is agony for all the right reasons.

Tyne Daly takes on legendary opera diva Maria Callas in Terrence McNally's 1996 Tony winner.

Stuffed with good humour and seasoned with tart observation, this is a triumphant comedy.

Between the design and direction, a great deal of The Changeling's vitality has been squeezed out of it.