This exuberant new Broadway musical revue pays loving homage to the musical glory days of Harlem in the 30s.

A. R. Gurney's latest play is a deftly constructed story of white upper-class characters on the cusp of change in 1950s America.

Filled with lunatic sight gags and the wittiest show tunes in years, this is the new king of musical comedy.

Despite an impressive performance form Daniel Craig, Mike Nichols' production gets away from the essence of Pinter's work.

Julie Taymor she lets her imagination overwhelm a production that pleases the eye but may frustrate those who just want to see a Shakespeare comedy.

Hot playwright Bruce Norris examines the fallout when a man wants it all, and then some.

Director John Tiffany re-imagines the classic play without altering Tennessee Williams' poetry or intention.

This musical revue is full of brilliant songs and dancing from the 20s and 30s, to the tune of a full orchestra.

A bleak, bloodstained piece of gothic Southern pulp by Beth Henley inexplicably attracts a top-shelf cast.

Mark Rylance’s take on Richard is a revelation – repulsive, pathetic, cunning and plausible all at once.