Edward Bond's dystopian future impresses much darkness upon the mind, without the suggestion of even a sliver of light.

Joe Orton's farce moves along at a breakneck speed, missing plenty of laughs along the way.

If the plot is disregarded, Irving Berlin's old songs get the staging they deserve.

While the 44-year narrative leaves the audience with unanswered questions, the cast in Love, Love, Love steps up to its challenges.

While the stage choreography is impressive, some classic films don't need to be recreated.

David Hare's South Downs earns its place alongside The Browning Version in this double bill about painful adolescent school days.

A family fights through a lethal cocktail of heavy emotions in one of Eugene O’Neill's greats.

The Comedy of Errors, Twelfth Night and The Tempest get grouped together as part of the World Shakespeare Festival.

David Hare's South Downs works exceptionally well as a companion piece to Terence Rattigan's masterpiece The Browning Version.

Cate Blanchett takes center stage in an intriguing drama that blurs the line between its heroine's imagination and her experience.