Nicholas Hytner’s riveting production brings Timon's tale to life in the midst of today's financial crisis.

Lyndsey Turner’s perfectly pitched revival honours the quiet notes of regret, pain and misconnection in Brian Friel’s 1964 play.

Simon Russell Beale puts in a performance that transcends the flaws of this lesser Shakespearean play.

George Bernard Shaw's 1906 morality tale shines a light on the importance of a competent and universal health care system.

George Bernard Shaw’s play starts with men in extravagant beards barking at each other, but fails to go much further beyond that.

Nadia Fall’s dazzling production accentuates the strengths and softens the weaknesses in George Bernard Shaw’s play.

Mark Rylance surprises audiences once again, this time with a massive performance as Richard, almost merry in his manic cackle.

The Propeller company takes on two seemingly dissimilar Shakespeare plays, unafraid to mix the slippery notions of glory and defeat.

Although gay people are still fighting for equality, Harvey Fierstein's clarion call doesn't trumpet as loudly as it once did.

Joe Penhall's new play imagines what might happen in a British hospital is men could give birth.