A bleak, bloodstained piece of gothic Southern pulp by Beth Henley inexplicably attracts a top-shelf cast.

Mark Rylance’s take on Richard is a revelation – repulsive, pathetic, cunning and plausible all at once.

It's hard to remember a performance of Shakespeare so beguiling with its simplicity and lyric vibrancy – so connected to the source.

A talented creative team and cast take us through three stages of a young girl's life.

More than two dozen numbers are packed into this night of music, dancing and lots of jazz.

The Grisham novel and popular film has been adapted into a cheesy but crowd-pleasing courtroom drama.

Mary Bridget Davies gives such a gripping, authentic portrayal of Joplin, it's as if she were born to play her.

This disappointing revival of Tennessee Williams’ masterpiece flirts with your feelings without engaging them.

Set in Upstate New York during World War I, Sharr White's play sketches the period and drama in thin outline.

Sharr White’s period piece lacks the urgency of the works it emulates.