Lucy Prebble’s The Effect succeeds wonderfully in juggling neurology and psychological medication with human impulse.

Alan Bennett's sly wit and the talents of Frances de la Tour make for a successful combination.

Alan Bennett weaves an odd, implausible story without saying much in the process.

Samuel Beckett's voice comes through even in lesser-known works like this 1957 radio play.

Two productions take two very different approaches to Chekhov – one traditional, one very much not.

Poppy score aside, this tale of the high school uncool has been told a million times before.

Alan Bennett's much-anticipated new play attempts to comment on English society and comes out a jumbled mess.

Lucy Kirkwood’s effervescent new play takes a serious look at the body fascism of today’s magazine culture.

Of the two current productions of Uncle Vanya, this one takes the more traditional approach.

A few production quibbles aside, this is an enjoyable modern-dress production by Philip Breen.