Behind the sensationalism of Philip Ridley’s 1991 play is a story of two siblings' tenderness and vulnerability.

The Propeller company takes on two Shakespeare plays – without any female actors.

An 18th-century story of farcical misadventure suffers mishandling by its director.

The lasciviousness and rawness of human flaw runs a gamut of violence and revelry.

David Haig takes on the role of George III, kept indoors with sickness and driven out of his wits.

A look back at pioneering moviemakers fumbles pieces of the story along the way.

Despite the lack of investment one had in the main character's fate, there is plenty more to discover in this musical revival.

Doors slam, sardines fly and the set literally begins to fall apart in this hilarious revival of a fifth-rate acting company staging a sex farce.

The classic 1955 British black comedy transfers surprisingly well from screen to stage.

The third play in Neil LaBute’s trilogy explores how the way we look influences the way we are treated.