David Hare’s play about the birth of the Glyndebourne Festival is likely to appeal to a very small audience.

Bizarre choices in staging and design take away from compelling performances by Rory Kinnear and Anne-Marie Duff.

A lot of things about politics are the same today as they were in 1960.

Patsy Ferran does an excellent job in Tennessee Williams’ problematic play.

Bryony Lavery’s 1998 drama is thoughtful, compassionate and deeply uncomfortable.

Dennis Kelly’s play looks unblinkingly at violence that is so common we have become desensitised to it. 

This production pushes the envelope while pushing audience members out of their comfort zones.

Carey Mulligan needs no help in holding the stage.

The chemistry between Ben Batt and Jonathan Bailey makes this play special.

There is a lot more happening than meets the eye in Annie Baker's unique, brilliant script.