Bold and funny, Martin McDonagh’s 1996 play comes packed with bleak wit, a sense of desolation and some cheap narrative tricks.

Conor McPherson's writing slews boldly from kitchen-sink naturalism to almost surreal nightmarishness.

Simon Russell Beale is in scorching form in Harold Pinter's 1958 black comedy.

The Globe puts on a fresh, colorful, energetic production of the Shakespearean summer favourite.

Eugene O’Neill’s domestic epic is more like a spoken novel where the characters verbalize their thoughts directly to the audience.

Lucy Kirkwood's new play whirls through an East-meets-West odyssey in thrilling fashion.

The National puts on a top-notch production of Eugene O’Neill's timeless play.

Lucy Kirkwood's ambitious exploration of the West's relationship with China has a few tricks up its sleeve.

Ayad Akhtar's explosive play takes on issues of religion and identity that few playwrights would dare touch.

David Mamet's play may not say anything new about race, but that doesn't mean it has nothing to say.