John Webster’s 400-year-old play makes an appropriate opening show for London's new venue.

Simon Russell Beale leads us through the violent unraveling of a king's mind.

Some familiar titles were refreshed with verve, but it was a mixed year for musicals and new plays.

Richard Eyre’s fast-paced new adaptation gives the audience something of the visceral shock the play had 130 years ago.

If you go in knowing that nothing in this playful romp is meant to mean much of anything, a delightful evening of shenanigans awaits.

In Josie Rourke’s captivating production, one is thunderstruck at how timely a 400-year-old play can be. 

With David Tennant starring and Gregory Doran directing, this production marks an exciting new chapter for the RSC.

Andrew Lloyd Webber’s new musical dusts off an old scandal that unfortunately is not worth singing about.

The story behind it makes this musical more interesting for what it represents than for what it actually is.

This story get an engaging turn here, with a faint rumble of the era in the background.