Using a minstrel show as the format, The Scottsboro Boys manages to tunefully tell a tale of injustice and bigotry in the 1930s American South.

David Tennant leads a collection of fine performances.

A catalogue of soul number classics lifts off while the story drags behind.

Richard Eyre’s production finds just the right mix of humor, heart and tragedy.

A family in rural 1950s Norfolk absorbs a daughter come home bursting with new intellectualism.

Soaring princesses aside, a witless book and tasteless score contribute to this musical's failure to dazzle.

Vanessa Redgrave and James Earl Jones fail to command the stage in a way that the play demands.

Terry Johnson's 1993 play uses Sigmund Freud and Salvador Dali to dip into psychiatry, art and a bit of farce.

Brecht makes savage humor out of a mediocre lunatic who became the most dangerous man in Europe.

Carrie Cracknell’s production renders Ibsen’s classic with cataclysmic force.