David Mamet's painfully didactic The Anarchist makes theatergoers wonder what happened to the ink in his pen since his better plays.

The cast and director have done what they can, but there isn't much to work with in Theresa Rebeck's script.

Eve Ensler's new work of feminism is limited in effect by its predictability and movie-of-the-week format.

Theresa Rebeck’s whimsical new comedy has some charming moments in it, though they fail to add up to much.

Checkers is a respectable play but weak in comparison to Frost/Nixon.

The central father-daughter relationship remains as compelling today as it did in 1947.

Over the years, Edward Albee’s iconic play has lost little of its dramatic power or harsh comedy.

The years have stolen none of the merits from Edward Albee’s dyadic drama.

Christopher Durang’s freewheeling new comedy takes some Chekhov themes for a spin.

Gretchen Mol shines a bit too brightly in a character study that takes its time coalescing.