Light and dark play against each other brilliantly in Michael Longhurst's erotic production.

Imelda Staunton is a treasure to behold in the lead role of this classic 1959 musical.

This Broadway import walks the line between musical satire and thought-provoking seriousness, to varying success.

Christopher Luscombe directs a double-bill of word-drunk comedies straddling the Great War.

Richard Bean's comedy was a successful surprise the first time around, but time and recasting have softened its edge.

Phyllida Lloyd presents this swift, compressed dose of Shakespeare as an all-female prison drama.

David Mamet's 1988 play gets to the cynical heart of Tinsel Town.

This musical has earned its place in theatre history, but this production doesn’t come close to doing it justice.

Rona Munro's epic historical trilogy will resonate with contemporary audiences.