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Adagio Teas
   Features  >  London Theatre Archives
FAMILIAR TUNE
A CHORUS LINE
at the London Palladium

FAMILIAR TUNE

Bob Avian's production plays to the strengths of Michael Bennett's original.

Reviewed by: CLIVE HIRSCHHORN READ MORE
A BIT OF A MESS
DEAR WORLD
at Charing Cross Theatre

A BIT OF A MESS

The creative team has revised the book and the score, efforts that amount to a loss.

Reviewed by: CLIVE HIRSCHHORN READ MORE
MODERN APOCALYPSE
IN THE BEGINNING WAS THE END
at Somerset House

MODERN APOCALYPSE

The extraordinary company dreamthinkspeak offers up a highly inventive meditation on our Faustian relationship with machines.

Reviewed by: RACHEL HALLIBURTON READ MORE
IDENTITY THIEF
THE CAPTAIN OF KOPENICK
at the National (Olivier)

IDENTITY THIEF

Adrian Noble’s rather plodding production fails to measure up to the Olivier's broad production value.

Reviewed by: CLIVE HIRSCHHORN READ MORE
SHIPWRECKED PSYCHES
OLD TIMES
at the Harold Pinter

SHIPWRECKED PSYCHES

Despite the cast's talents, director Ian Rickson provides us with a trio of dumb, maladjusted malcontents.

Reviewed by: ALLEN ROBERTSON READ MORE
FRIGHT FEST
THE TURN OF THE SCREW
at the Almeida

FRIGHT FEST

Stage effects transform the Almeida into a haunted house.

Reviewed by: JOHN NATHAN READ MORE
CHOPPY SEAS
THE WINTER’S TALE
at Royal Shakespeare Theatre, Stratford-upon-Avon

CHOPPY SEAS

A tumult of visual ideas in Lucy Bailey’s revival, some better than others, creates an uncertain overall aesthetic.

Reviewed by: MICHAEL COVENEY READ MORE
MOTHER-SON ISSUES
NO QUARTER
at the Royal Court

MOTHER-SON ISSUES

After two impressive plays that deal with similar subject matter, Polly Stenham's third effort fails to measure up.

Reviewed by: CLAIRE ALLFREE READ MORE
CLEARING HIS NAME
THE JUDAS KISS
at the Duke of York's

CLEARING HIS NAME

As Oscar Wilde is waiting to be arrested in the Cadogan Hotel, there is a sense of baying for blood.

Reviewed by: RACHEL HALLIBURTON READ MORE
A PLACE FOR COMPASSION
GOODNIGHT MISTER TOM
at Phoenix Theatre

A PLACE FOR COMPASSION

Oliver Ford Davies takes the title role in this touching, understated production.

Reviewed by: KATE BASSETT READ MORE
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SCHEDULE UPDATES -
Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.


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