Trevor Nunn and a talented cast throw their effort at a play that isn't worth it.

Arthur Miller’s 1955 drama is revived with visceral intensity.

Audience members become part of an exercise in digital privacy invasion.

Mike Bartlett plays with the relationship between politics and monarchy in this contemporary what-if.

The protagonist and the play itself are sorely lacking in redeeming qualities.

This London production has the film and Broadway versions to contend with, and still comes out singing.

The Wanamaker Theatre has chosen authenticity over comfort in its design, and is of to a difficult start.

A smart American drama, driven by the political and the personal, hits the London stage.

Ray Cooney revives his madcap romp with wild, silly success.

Trevor Nunn's laborious production does little to reinvent the 1987 film, and hits the stage with a thud.