A lavish budget creates some memorable moments in act two of this classic fantastical tale.

Sweet Bird is a strange, oddly structured work, as symptomatic of a warped age as of a warped imagination.

Bold and funny, Martin McDonagh’s 1996 play comes packed with bleak wit, a sense of desolation and some cheap narrative tricks.

Conor McPherson's writing slews boldly from kitchen-sink naturalism to almost surreal nightmarishness.

Simon Russell Beale is in scorching form in Harold Pinter's 1958 black comedy.

The Globe puts on a fresh, colorful, energetic production of the Shakespearean summer favourite.

Eugene O’Neill’s domestic epic is more like a spoken novel where the characters verbalize their thoughts directly to the audience.

Lucy Kirkwood's new play whirls through an East-meets-West odyssey in thrilling fashion.

The National puts on a top-notch production of Eugene O’Neill's timeless play.

Lucy Kirkwood's ambitious exploration of the West's relationship with China has a few tricks up its sleeve.