With some modern touches, the redolence of Chekov’s classic play wafts through the air.

With its sprawling, epic storyline, it takes serious ambition to put on this play.

Sam Shepard’s 1978 drama remains a gritty, mysterious portrait of domestic life gone to hell.

Maurice Hines tells stories from his life onstage and off, and shows that he can still move.

This farce within a farce is particularly effective when the cast plays it truthfully, as it does here.

There was plenty on offer on Broadway this past year, but one musical took the cake.

This over-the-top tragicomedy has plenty of heightened language, blood and cleavage.

Ethan Mordden provides a great deal of insight into the work of Stephen Sondheim, and lavishes praise along the way.

Ivo van Hove's revelatory production raises this Miller classic to new heights.