Noel Coward's rarely produced comedy does better today than it did in 1925.

This is a dreary, downright incomprehensible play that lacks the drama of Tennessee Williams’ earlier works.

Steven Levenson’s sober-minded drama explores the personal consequences of white-collar corruption.

A deft conceptual overhaul further lightens the Bard’s liveliest bagatelle.

Despite the missteps in this production, it is exciting to see this difficult Bertolt Brecht play being tackled.

A seldom-seen gem gets a very nice turn in New Jersey.

Most surprising at this year's awards was Kinky Boots winning Best New Musical over Matilda.

Jane Lynch injects new life into Annie's summer run.

Murder Ballad is the best rock musical since American Idiot.

It was a year packed with revivals and not so risky projects, but not without its highlights.