Despite the big life events involved, this father-son story is decidedly unmoving and unfunny.

Patrick Marber’s invigorating update stays true to Turgenev’s original voice while calibrating it for the 21st century.

This adaptation of Turgenev’s play could be described as Chekhovian, even though the original text came 40 years before Chekhov.

This bare-knuckled and boisterously profane urban drama transfers surprisingly well across the pond.

Jerry Herman’s songs take flight in a valiant reboot of a musical with a troubled past.

Abbey Wright's star-cast revival falls oddly flat.

A musical that was never able to find its audience appeal finally secures its footing.

An off-the-wall main character is unable to pull the audience in.

The actors bring freshness to Oscar Wilde’s well-known characters.

Chekhov classic is injected with vibrancy and illuminated from new angles.