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Adagio Teas
   Features  >  London Theatre Archives
INVOKING THE DEAD
HYSTERIA
at the Hampstead

INVOKING THE DEAD

Terry Johnson's 1993 play uses Sigmund Freud and Salvador Dali to dip into psychiatry, art and a bit of farce.

Reviewed by: JOHN NATHAN READ MORE
ABSURD POWER
THE RESISTIBLE RISE OF ARTURO UI
at the Duchess

ABSURD POWER

Brecht makes savage humor out of a mediocre lunatic who became the most dangerous man in Europe.

Reviewed by: RACHEL HALLIBURTON READ MORE
SHATTERED ILLUSIONS
A DOLL’S HOUSE
at the Young Vic

SHATTERED ILLUSIONS

Carrie Cracknell’s production renders Ibsen’s classic with cataclysmic force.

Reviewed by: SAM MARLOWE READ MORE
MUCH ADO INDEED
MUCH ADO ABOUT NOTHING
at the Old Vic

MUCH ADO INDEED

Mark Rylance’s production drags and drudges with heavy concepts and underwhelming performances.

Reviewed by: SAM MARLOWE READ MORE
NAZI GOOSE-STEP
THE RESISTIBLE RISE OF ARTURO UI
at the Duchess

NAZI GOOSE-STEP

Jonathan Church’s irresistible production shines with hilarious satirical moments and originality.

Reviewed by: CLIVE HIRSCHHORN READ MORE
ZEBRA-PRINT DECOR
BARKING IN ESSEX
at Wyndham's

ZEBRA-PRINT DECOR

One wonders how on earth Clive Exton's script about a clan of low-class materialists landed financial backing or such a stellar cast.

Reviewed by: KATE BASSETT READ MORE
MOONLIT RAVE
A MIDSUMMER NIGHT'S DREAM
at the Noel Coward

MOONLIT RAVE

In Michael Grandage's star-studded production, the woods serves as a venue for sexual liberation and exploration.

Reviewed by: KATE BASSETT READ MORE
BROKEN COMPASS
THE RITUAL SLAUGHTER OF GORGE MASTROMAS
at the Royal Court

BROKEN COMPASS

The title character transitions from painful gaucheness to ruthless confidence by walking a crooked path.

Reviewed by: JOHN NATHAN READ MORE
GOLD OVER GOODNESS
THE RITUAL SLAUGHTER OF GORGE MASTROMAS
at the Royal Court

GOLD OVER GOODNESS

A remarkable performance by Tom Brooke gets washed out by a watered-down story.

Reviewed by: NICK CURTIS READ MORE
GNASHING OF TEETH
EDWARD II
at the National (Olivier)

GNASHING OF TEETH

Self-love mixes with self-destruction in Joe Hill-Gibbins’ postmodern, iconoclastic production.

Reviewed by: RACHEL HALLIBURTON READ MORE
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SCHEDULE UPDATES -
Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.


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