Aside from the revolving set, this production set in modern day hits the right notes.

Gregory Doran stays true to the text in staging Shakespeare's four king plays.

An eerie sense of unease pervades the slick, unfeeling world of Patrick Bateman.

Jessica Lange puts in a near-operatic performance as the matriarch of O’Neill’s seminal dysfunctional family.

George C. Wolfe's reimagining bursts with joy and style.

A brilliant cast suffuses a potential downer of a musical with light and laughs.

Jesse Tyler Ferguson holds the stage beautifully in this one-person, multi-character show.

The audience is thrown for a loop as they glimpse through the perspective of a man suffering from dementia.

Scott Ellis' production is an excellent, enjoyable revival of a 60s musical.

The regicide and rebellion of the history plays are on full display in this fine feast of Shakespeare.