Julie Taymor she lets her imagination overwhelm a production that pleases the eye but may frustrate those who just want to see a Shakespeare comedy.

Hot playwright Bruce Norris examines the fallout when a man wants it all, and then some.

Director John Tiffany re-imagines the classic play without altering Tennessee Williams' poetry or intention.

This musical revue is full of brilliant songs and dancing from the 20s and 30s, to the tune of a full orchestra.

A bleak, bloodstained piece of gothic Southern pulp by Beth Henley inexplicably attracts a top-shelf cast.

Mark Rylance’s take on Richard is a revelation – repulsive, pathetic, cunning and plausible all at once.

It's hard to remember a performance of Shakespeare so beguiling with its simplicity and lyric vibrancy – so connected to the source.

A talented creative team and cast take us through three stages of a young girl's life.

More than two dozen numbers are packed into this night of music, dancing and lots of jazz.

The Grisham novel and popular film has been adapted into a cheesy but crowd-pleasing courtroom drama.