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Adagio Teas
   Features  >  London Theatre Archives
PAIN AND PASSION
MACBETH
at Shakespeare's Globe

PAIN AND PASSION

Director Eve Best exhibits a real understanding of the splintering and loneliness at the heart of the play, along with a comic touch.

Reviewed by: MICHAEL COVENEY READ MORE
FEAST OF FURY
MACBETH
at Manchester International Festival

FEAST OF FURY

Kenneth Branagh exercises his immense talent in Manchester, Lancashire.

Reviewed by: MICHAEL COVENEY READ MORE
GRIP OF HALLUCINATION
MACBETH
at Shakespeare's Globe

GRIP OF HALLUCINATION

Eve Best makes an excellent directorial debut despite taking on one of Shakespeare’s more challenging works.

Reviewed by: RACHEL HALLIBURTON READ MORE
MIXED DOUBLES
PRIVATE LIVES
at the Gielgud

MIXED DOUBLES

Two couples hurl invective at each other in Noel Coward’s wonderfully constructed comedy.

Reviewed by: DAVID BENEDICT READ MORE
HARD CANDY
CHARLIE AND THE CHOCOLATE FACTORY
at Theatre Royal, Drury Lane

HARD CANDY

Underneath this musical's expensive packaging, there is little to make one's mouth water.

Reviewed by: SAM MARLOWE READ MORE
PURE IMAGINATION
CHARLIE AND THE CHOCOLATE FACTORY
at Theatre Royal, Drury Lane

PURE IMAGINATION

A lavish budget creates some memorable moments in act two of this classic fantastical tale.

Reviewed by: CLIVE HIRSCHHORN READ MORE
RAVAGED PURITY
SWEET BIRD OF YOUTH
at the Old Vic

RAVAGED PURITY

Sweet Bird is a strange, oddly structured work, as symptomatic of a warped age as of a warped imagination.

Reviewed by: RACHEL HALLIBURTON READ MORE
CIRCUMSCRIBED LIVES
THE CRIPPLE OF INISHMAAN
at the Noel Coward

CIRCUMSCRIBED LIVES

Bold and funny, Martin McDonagh’s 1996 play comes packed with bleak wit, a sense of desolation and some cheap narrative tricks.

Reviewed by: SAM MARLOWE READ MORE
UNDERDOGS AND DESPERADOS
THE NIGHT ALIVE
at the Donmar Warehouse

UNDERDOGS AND DESPERADOS

Conor McPherson's writing slews boldly from kitchen-sink naturalism to almost surreal nightmarishness.

Reviewed by: KATE BASSETT READ MORE
DARK WIT
THE HOTHOUSE
at the Trafalgar Studios

DARK WIT

Simon Russell Beale is in scorching form in Harold Pinter's 1958 black comedy.

Reviewed by: MATT WOLF READ MORE
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SCHEDULE UPDATES -
Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.


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