Gary Owen’s excellent new play is a richly complex black comedy about a geekish 17-year-old who moves in with his abusive father.

James Dacre’s clear and confident production makes memorable a largely forgettable play.

Imelda Staunton’s performance as Rose exists in another category of greatness.

Simon Russell Beale brings complexity to a Dean stuck in a very difficult situation.

Robert Icke’s radical reboot consistently carves out new emotional space for the characters to inhabit.

Steve Waters’ brilliant and incisive new play pits power against protester, religious against secular, monolithic against mundane.

Kristin Scott Thomas inhabits the Queen's thousand-yard stare. 

This entertaining production might not pierce the play’s poetic depths, but it leaves you in little doubt of what Beckett was getting at.

Arthur Miller's American classic about an underdog treading corporate water resonates in present-day Britain.

Kevin Spacey's 11-year run as artistic director comes to an end with a stirring musical revival.