Michelle Terry glows as Rosalind in this playful production.

Although this comes too soon on the heels of the production with Helen Mirren, the charms endure.

Noel Coward's comedy gets its mileage not on affairs being committed, but on being aired in the open.

Imelda Staunton is superlative in a musical revival that was long overdue.

David Mamet's play is less about the heist and more about the men and their ethics.

Rufus Norris' production relies more on dizzying visual effects than on adding nuance to a classic morality tale.

Light Shining contemplates the English Civil War and what happens in its wake.

John Heffernan turns in an excellent performance in this biodrama about the man behind the atomic bomb.

Zinnie Harris’ haunting contemporary tragedy looks at how precarious our privilege is and how far we can fall.

This production of Mary Chase’s screwball comedy lacks the charm that made it a hit in 1944.