Bedlam, in a move fitting of its name, combines these two plays into a side-by-side experimental mashup.

Theresa Rebeck’s latest play takes on an interesting premise but fails to stick the landing.

This innovative production finds all kinds of ways to breathe new life into this Golden Age musical.

Characters and songs collide in Conor McPherson's ode to Dylan and the Depression.

Richard Nelson has solved the Chekhovian riddle of getting the right balance between laughter and the heavy ache of the human heart.

Richard Bean’s new play provides a kind of tear-inducing laughter that is in short supply on Broadway.

In Theresa Rebeck’s clever and entertaining comedy, actress Sarah Bernhardt is determined to play Hamlet.

Craig Lucas' latest play takes on a cluttered mess of themes – with two sets of actors to make it extra complicated.

Felder's one-man show portrays Berlin's restless intensity and fervent patriotism in the style of a jukebox musical.

Sharr White's political drama never quite catches fire, but Edie Falco is strong in the lead role.