Even in the midst of animalistic behavior, the roughest of characters can take on high art.

Nadia Fall’s fluid production offers up a rich cast of characters set in 1788 Australia.

Director Thom Southerland captures the essence of a decadent Berlin using a very minimal set.

The songs are still great, but this version of the book leaves the characters in two-dimensional purgatory.

A small ensemble takes on a multitude of roles in this energetic revival.

Simon Godwin’s superb production presents the full arc of the king’s reign.

A talented ensemble turns in pitch-perfect period acting.

Every detail adds to the chilling impact left by this sharp and compelling tale of two women abandoned behind the cloak of power.

Despite the big life events involved, this father-son story is decidedly unmoving and unfunny.

Patrick Marber’s invigorating update stays true to Turgenev’s original voice while calibrating it for the 21st century.