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Adagio Teas
   Features  >  London Theatre Archives
KANGAROO COURT
THE SCOTTSBORO BOYS
at the Young Vic

KANGAROO COURT

Susan Stroman’s high-energy production rattles by in an uninterrupted two hours, with choreography fizzing.

Reviewed by: MICHAEL COVENEY READ MORE
INFANTRY MEN
FROM HERE TO ETERNITY
at the Shaftesbury

INFANTRY MEN

The characters in this musical adaptation aren't brought to life the way they were in the novel and film.

Reviewed by: CLIVE HIRSCHHORN READ MORE
G COMPANY BLUES
FROM HERE TO ETERNITY
at the Shaftesbury

G COMPANY BLUES

Book problems aside, this new musical adaptation makes for an ambitious and entertaining story set amidst a theatre of war.

Reviewed by: DONALD HUTERA READ MORE
PLIGHT OF THE ACCUSED
THE SCOTTSBORO BOYS
at the Young Vic

PLIGHT OF THE ACCUSED

Using a minstrel show as the format, The Scottsboro Boys manages to tunefully tell a tale of injustice and bigotry in the 1930s American South.

Reviewed by: CLIVE HIRSCHHORN READ MORE
THE HOLLOW CROWN
RICHARD II
at Royal Shakespeare Theatre, Stratford-upon-Avon

THE HOLLOW CROWN

David Tennant leads a collection of fine performances.

Reviewed by: ROBERT GORE-LANGTON READ MORE
HOPE, MONEY AND HAPPINESS
THE COMMITMENTS
at the Palace

HOPE, MONEY AND HAPPINESS

A catalogue of soul number classics lifts off while the story drags behind.

Reviewed by: MICHAEL COVENEY READ MORE
FATAL INHERITANCE
GHOSTS
at the Almeida

FATAL INHERITANCE

Richard Eyre’s production finds just the right mix of humor, heart and tragedy.

Reviewed by: ANGELA ERRIGO READ MORE
FREETHINKERS
ROOTS
at the Donmar Warehouse

FREETHINKERS

A family in rural 1950s Norfolk absorbs a daughter come home bursting with new intellectualism.

Reviewed by: JOHN NATHAN READ MORE
HOLLOW PACKAGING
THE LIGHT PRINCESS
at the National (Lyttelton)

HOLLOW PACKAGING

Soaring princesses aside, a witless book and tasteless score contribute to this musical's failure to dazzle.

Reviewed by: CLIVE HIRSCHHORN READ MORE
AGE BLIND
MUCH ADO ABOUT NOTHING
at the Old Vic

AGE BLIND

Vanessa Redgrave and James Earl Jones fail to command the stage in a way that the play demands.

Reviewed by: MATT WOLF READ MORE
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SCHEDULE UPDATES -
Yes, Prime Minister contracts its run, while A Chorus Line expands its own.
POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing. 

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.


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