James Earl Jones and Cicely Tyson are still at the top of their game.

There’s plenty of passion but little spark in this reboot of Sam Shepard’s 1983 psychodrama.

Harold Pinter’s gripping 1971 drama still cuts with force, drawing new blood.

This stunning production features a number of deaf performers, with hearing actors providing their singing voices.

The Mint Theater Company is persistent in its mission to uncover obscure plays from the past.

The Acting Company’s evening of adaptations is satisfying in small, intense doses.

This unnecessary musical is marked by clunky plot twists, one-dimensional characters and bad songs.

Philip Ridley’s post-apocalyptic play paints a nightmarish picture but fails to make the characters relatable.

Lin-Manuel Miranda has built a monument by combing hip-hop with American history.

Annie Baker's latest is more ruminative, less compelling than her previous work.