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Features > New York Theater Archives
CHOIR BOY
at Samuel J. Friedman Theatre
FINDING IDENTITY
The
Moonlight
writer offers a big-hearted portrait of young African Americans navigating class and sexual differences in private school.
Reviewed by:
DAVID COTE
OTELLO
at Metropolitan Opera
OPERATIC HEIGHTS
While the orchestra performance and set design are amazing, Bartlett Sher’s staging has a few kinks to work out.
Reviewed by:
JEREMY GERARD
CHOIR BOY
at Samuel J. Friedman Theatre
POETIC REALISM
Director Trip Cullman conjures a gorgeous conspiracy of elements with Tarell Alvin McCraney’s memory play.
Reviewed by:
JEREMY GERARD
THE FERRYMAN
at Bernard B. Jacobs Theatre
BIG IRISH FAMILY
Each of the many characters in Jez Butterworth's remarkable drama is drawn with distinct detail.
Reviewed by:
JESSICA BRANCH
SLAVE PLAY
at New York Theatre Workshop
PROVOCATIVE TRAUMA
Jeremy O. Harris' experimental play is sure to make many people uncomfortable, as intended.
Reviewed by:
MATT WINDMAN
TO KILL A MOCKINGBIRD
at Shubert Theatre
HOLLYWOOD ATTICUS
Jeff Daniels puts in a great performance, but there's an element missing here that was essential to the book and film.
Reviewed by:
JEREMY GERARD
TO KILL A MOCKINGBIRD
at Shubert Theatre
MISPLACED QUIPS
Aaron Sorkin has left his fingerprints all over this stage adaptation, to mixed results.
Reviewed by:
DAVID COTE
WHAT THE CONSTITUTION MEANS TO ME
at Greenwich House Theater
DOCUMENT OF A DOCUMENT
Heidi Schreck’s engaging play may stick with you long after you've left the theater.
Reviewed by:
JEREMY GERARD
FABULATION, OR THE RE-EDUCATION OF UNDINE
at Romulus Linney Courtyard Theatre
DOWN THE RABBIT HOLE
Cherise Boothe gives an excellent performance in this story of a woman breaking apart and trying to put it all back together again.
Reviewed by:
BRIAN SCOTT LIPTON
NETWORK
at Belasco Theatre
MAD AS HELL AND STILL TAKING IT
Bryan Cranston gives a towering performance in Ivo van Hove's stage adaptation of the 1976 film.
Reviewed by:
JEREMY GERARD
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Next
SCHEDULE UPDATES
-
Yes, Prime Minister
contracts its run, while
A Chorus Line
expands its own.
POWERHOUSE OF THEATRE
- After 11 years as the Almeida Theatre's artistic director,
Michael Attenborough
is stepping down to focus on directing.
SONGS FROM THE HEART
-
Once
the Tony-Award winning musical is set to hit London in January.
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