Creating a premise that allows for a cast of all older actors doesn't add anything to Oscar Wilde's masterpiece.

While made for the screen, this ode to the stage works best, well, on the stage.

There were several reasons not to turn this Oscar-winning film into a play, and yet they did it anyway.

In trying to make a contemporary version of Streetcar, Benedict Andrews' production falls apart.

This new adaptation is something of a hybrid of productions past.

Chichester has another hit on its hands, with Rupert Everett and Joshua McGuire squaring off as rivals.

Yael Farber's production grips and terrifies, executed by a cast that delivers unforgettable ferocity.

With a more experienced playwright, this might have been a much more gripping play.

The mood is tense in Lucy Bailey's bloody and barbarian production.

Richard Bean’s irreverent satire riffs on the phone-hacking scandal that caused the demise of The News of the World.