The visual effects and the performances are the highlights of this long, ambitious production.

Although a black Willy Loman seems incongruous with his character, the performances here are exceptionally moving.

This lightweight, highly enjoyable version is sure to fare better than past productions.

Laura Wade's clever play features a woman obsessed with the 1950s both aesthetically and culturally.

Maggie Smith gives a mesmerizing performance as a real-life woman who turned a blind eye to the Nazis' crimes.

This fragmented, unconventional piece is tough to pull off on stage, and it is mishandled here.

Two brothers try to make peace with the past in Arthur Miller’s 1968 play.

In Pinter’s tale of an affair played out in reverse, the characters are elegant in their savagery.

After a successful run in New York, Joshua Harmon's compelling new satire comes to the West End.

Few comedies have been revived and reshaped as many times as this work from 1664.