This production has several original touches that make it like no Fiddler you've seen before.

This is a highly entertaining joyride about an amateur production falling apart.

This modest yet engaging revival boasts period detail and a tightknit ensemble.

Finally we have a production that does this musical justice.

Mistaken identity turns tragic in Sean O’Casey's rarely seen 1923 comic drama.

God makes a visit to Earth in this new comedy, but the story is short on substance.

This take on Irving Berlin’s 1950 musical comedy is a smooth but unremarkable ride.

Sebastian Barry is a mesmerizing writer, but audiences may find this play unsatisfying in the end.

Laura Benanti's performance should silence any critics who say she's too old for the lead role.