Chekhov classic is injected with vibrancy and illuminated from new angles.

Franz Kafka's 1915 novel gets reimagined in a way that offers little insight.

Iqbal Khan’s muscular modern-dress version brings fresh thinking to a classic work.

Gary Owen’s excellent new play is a richly complex black comedy about a geekish 17-year-old who moves in with his abusive father.

James Dacre’s clear and confident production makes memorable a largely forgettable play.

Imelda Staunton’s performance as Rose exists in another category of greatness.

Simon Russell Beale brings complexity to a Dean stuck in a very difficult situation.

Robert Icke’s radical reboot consistently carves out new emotional space for the characters to inhabit.

Steve Waters’ brilliant and incisive new play pits power against protester, religious against secular, monolithic against mundane.

Kristin Scott Thomas inhabits the Queen's thousand-yard stare.