While entertaining, Junk is packed with a lot of trader jargon, greed and testosterone that you may feel like you've seen before.

The changes made to this modern classic end up deadening the mysteries of the show.

John Patrick Shanley's direction encourages oversized performances and desperate stooping for laughter.

Michael Urie carves his name into the theatrical firmament with this performance.

J.B. Priestley’s deceptively complex 1937 play takes place over three multi-faceted scenes.

John Doyle’s production conjures the sense of being a child at play in a forest of wondrous words.

The Mint has discovered a treasure trove of lost work by Irish playwright Teresa Deevy and puts on four one-acts here.

This greatest-hits revue celebrates the work of Harold Prince in the least interesting way.

Lucas Hnath’s 85-minute, four-character debate is not for everyone, with or without a new cast.