Kevin Spacey brings his monstrous portrayal of King Richard across the pond to New York.

The classic 1935 American folk opera gets a little tightening and tweaking but keeps its heart where it was.

From Spider-Man to The Book of Mormon, the 2011 season swung between disappointing lows and soaring highs.

Aside from some slow points, Shlemiel the First proves to be a lighthearted dose of fun with some wild klezmer music.

Molly Smith Metzler’s new play teeters between far-fetched comedy and seriousness, doing neither particularly well.

The acting in this family-saga ensemble brings to life what could have been a mediocre play.

The 1965 musical has been retooled into something with currency for today.

Someone needs to tell Ethan Coen to stop writing awful one-act plays.

Molly Smith Metzler’s vacuous comedy-drama misses nearly every target.

The Man Who Came to Dinner remains the most masterfully chaotic ensemble comedies, even if it doesn't get quite the serving it deserves here.