Playwright Nassim Soleimanpour builds a unique dramatic device that’s all heart.

Jack Neary has written an intriguing play, but the second act has a few too many twists for its own good.

The musicians are skilled, but the story about conductor Arturo Toscanini is steeped in sentimentality and smarminess.

Many of the productions of the past year were tinged with a political aura.

A promising young playwright plumbs the vicissitudes of recovery.

Emily Mann’s play paints a vivid portrait of the pioneering journalist and feminist Gloria Steinem.

This is an opera so beautifully played, sung and designed that one can forgive any hollowness in the story.

The Moonlight writer offers a big-hearted portrait of young African Americans navigating class and sexual differences in private school.

While the orchestra performance and set design are amazing, Bartlett Sher’s staging has a few kinks to work out. 

Director Trip Cullman conjures a gorgeous conspiracy of elements with Tarell Alvin McCraney’s memory play.