A small ensemble takes on a multitude of roles in this energetic revival.

Simon Godwin’s superb production presents the full arc of the king’s reign.

A talented ensemble turns in pitch-perfect period acting.

Every detail adds to the chilling impact left by this sharp and compelling tale of two women abandoned behind the cloak of power.

Despite the big life events involved, this father-son story is decidedly unmoving and unfunny.

Patrick Marber’s invigorating update stays true to Turgenev’s original voice while calibrating it for the 21st century.

This adaptation of Turgenev’s play could be described as Chekhovian, even though the original text came 40 years before Chekhov.

This bare-knuckled and boisterously profane urban drama transfers surprisingly well across the pond.

Jerry Herman’s songs take flight in a valiant reboot of a musical with a troubled past.

Abbey Wright's star-cast revival falls oddly flat.