Lincoln Center's revival of Rodgers and Hammerstein's South Pacific turns the stage a bright canary yellow.

It can be said without fear of contradiction: Eartha Kitt can still command a stage and captivate an audience.

With Saved. Jesus proves a capricious co-pilot for those turbulent teen years.

Neal LaBute's Reasons to be Pretty presents a harsh and hard-hitting portrait of male-female relationships.

Neil LaBute's Reasons to be Pretty completes his trilogy on beauty. It's about time.

The New York premiere of Conor McPherson's Port Authority is given an excellent production under director Henry Wishcamper. It's poignant and often funny.

Bebe Neuwirth is a knockout, in what, incredibly is her first solo show in so intimate a setting as Feinstein's at Loew's Regency.

On its own merits, Crybaby is a charming, if inconsequential trifle...but that's okay.

Good Boys and True is a great idea for a play. Too bad its excellent cast is wasted on a mostly dull drama.

The Acting Company makes a strong case for this revival of Eccentricities of a Nightingale-a play that has not had a major revival in New York since its premiere in 1976.