Simon Godwin has put together a funny, nimble-footed, gender-switching production with a high-calibre cast.

An energetic ensemble of cartoonish characters bounces all over the stage, with no plot in sight.

A female soldier returns from combat and tries virtual reality as a way to treat her PTSD.

The real-life story of these middle-aged calendar girls is an interesting one, but it's been told before.

Simon Godwin takes the concept of gender bending a step further in this mostly light-hearted production.

You've seen it before, but here is reason to see it anew.

There is magic in this revival of Tennessee Williams’ 1944 classic.

An excellent score cannot save a messy book.

Giles Croft’s agile production does well in handling the novel's vast expanse of time and geography.

A stage production can never capture the detail of a novel, but Ben Turner does an excellent job in bringing to life the emotion of the protagonist.