This is a Sweeney Todd, informed by a strong central vision, that is more Tim Burton than Stephen Sondheim. Attend this tale with that fact in mind.

In this violent and slaughter-filled world, Harold Pinter's The Homecoming still has the power to shock

When it comes to this production of George Bernard Shaw's The Devil's Disciple, a handful of compelling performances can't salvage a superannuated play.

It's hard to say where Mark Twain leaves off and play adapter David Ives begins- but Is He Dead? has modern audiences rolling in the aisles

There's a germ of an original play in playwright Jordan Harrison's Doris to Darlene. Only it's buried in the same old same old.

David Henry Hwang's Yellow Face almost appears to be two separate plays. A funny first act backstage comedy morphs into a deadly serious second act all about politics and an international banking scandal.

There's surprising depth in these brief snapshots of every day life offered up by Will Eno

The plot of Conor McPherson's The Seafarer may center on a cardgame with the devil, but it's the tried and true Irish characters and some memorable performances that make the play a transporting experience.

The Constant Couple, a neglected George Farquhar gem, offers keen, catty observations on Restoration mores.

Who actually invented television? Aaron Sorkin's The Farnsworth Invention tries to make sense of the David vs. Goliath backstory of that fateful discovery.