There were many great performances, as well as gutsy artistic decisions, to behold in this past year of theatre.

Polly Findlay is a high-concept director, and she works her wonders here in reimagining Shakespeare.

Men and women engage in high-stakes, savage passion in this intoxicating production.

If you're willing to work through the complex, dizzying elements of Tom Stoppard’s art-science piece, there is plenty of nectar at the center.

Penelope Skinner’s new play, messy though it may be, takes an incisive look at a woman undone by the forces around her.

A short, unconventional new play by Caryl Churchill drowns in the vastness of the Lyttelton Theatre.

Harold Pinter’s play isn't nearly as controversial as it was 50 years ago.

Jamie Lloyd makes explicit all the between-the-lines violence in Harold Pinter's play.

Will a comedy about an eccentric 18th-century jack-of-all-trades be able to connect with audiences?