There is magic in this revival of Tennessee Williams’ 1944 classic.

An excellent score cannot save a messy book.

Giles Croft’s agile production does well in handling the novel's vast expanse of time and geography.

A stage production can never capture the detail of a novel, but Ben Turner does an excellent job in bringing to life the emotion of the protagonist.

The premise of this three-man play is delightfully simple, which works both for it and against it.

Highlights include a Lear for the ages, Ruth Wilson's hurtling Hedda, and Stephen Rea in a small-scale Irish play that stood very tall.

A thinly written book doesn't stop Amber Riley from flying high and bursting with brightness.

Ivo van Hove's modernized production injects new life into this exploration of the darker recesses of a woman's psyche.

This can be a magnificent play when done right, but this production fails to strike the right note.

Amber Riley and company turn in passionate performances, but this show is more surface than heart.