Robert Icke's swansong production for the Almeida does not disappoint, with Juliet Stevenson leading an excellent cast.

You may notice some nods to playwrights who came before in Branden Jacobs-Jenkins’ play about family dysfunction.

Jamie Lloyd's radical revival makes this musical feel revolutionary all over again.

Tennessee Williams’ last successful play was one of his most personal.

Ned Bennett’s gets back to the visceral impact this play was always meant to deliver.

Despite a cast giving its all, there are elements of Micheal Frayn's farce that are starting to show their age.

Andrew Scott's charisma burns bright in Noel Coward’s semi-farcical 1939 comedy.

David Mamet’s latest play attempts to satirise Harvey Weinstein, but comes off flat.

Jack Thorne's play spans two decades in the life of a family, but makes little impression along the way.

With this revival, Michael Longhurst is off to an explosive start as the Donmar's new artistic director.