A talented cast helps make up for a problematic book and underwhelming score.

This isn't the first time we've seen a black Willy Loman, but it's the first time we've seen it work.

Matthew Broderick manages to lend charisma to the most boring character in the universe.

Lyndsey Turner's production of this landmark drama is at once up-to-the-minute and historically accurate, sparkling with brilliance throughout.

The visual effects and the performances are the highlights of this long, ambitious production.

Although a black Willy Loman seems incongruous with his character, the performances here are exceptionally moving.

This lightweight, highly enjoyable version is sure to fare better than past productions.

Laura Wade's clever play features a woman obsessed with the 1950s both aesthetically and culturally.

Maggie Smith gives a mesmerizing performance as a real-life woman who turned a blind eye to the Nazis' crimes.

This fragmented, unconventional piece is tough to pull off on stage, and it is mishandled here.