Bonnie Langford shines in the best musical in London right now.

Despite the gratuitous self-indulgence and unnecessary digressions, Andrew Lloyd Webber's memoir offers some valuable insight into his musicals.

Martin McDonagh’s 1994 blood-fest blends violence and comedy into a unique cocktail.

A decade later, Ian McKellen returns to the titular role, as compelling as ever.

With André Holland in the title role, here at last is an Othello who is much more a thinker than a warrior.

Nina Raine's timely drama about sexual politics can be hard to watch, but it's also important, fascinating and viciously funny.

Despite a great performance by Lia Williams, this production feels dated and trite.

Although Ionescu’s 1962 play parallels today's turmoil in some ways, this new version fails to resonate.

It helps to know your Broadway history before taking on Gerard Alessandrini’s hilarious spoof of Hamilton.

Something must have gotten lost in translation in this laborious adaption of Ionesco's play.