With André Holland in the title role, here at last is an Othello who is much more a thinker than a warrior.

Despite a great performance by Lia Williams, this production feels dated and trite.

Although Ionescu’s 1962 play parallels today's turmoil in some ways, this new version fails to resonate.

It helps to know your Broadway history before taking on Gerard Alessandrini’s hilarious spoof of Hamilton.

Something must have gotten lost in translation in this laborious adaption of Ionesco's play.

This isn't the most detailed reading of Shakespeare's tricky play, but it is certainly an enjoyable one.

London audiences may not have been familiar with Kelli O’Hara, but they will know her name now.

Ian Rickson’s finely textured production of this elegant, poetic play achieves on levels both epic and intimate.

This misguided production does a disservice to Strindberg’s timeless Swedish classic.

Despite some fine performances, there's precious little by way of poetic heft or depth in this unusual production.